• LIZ NIELSEN
    Arctic Stone Stack, 2024
    Analog Chromogenic Light Painting, on Fujiflex, Unique
    Framed dimensions:
    97 1/2 x 52 3/4 inches
    247.7 x 134 cm
  • LIZ NIELSEN
    At Sea, 2024
    Analog Chromogenic Light Painting, on Fujiflex, Unique
    Framed dimensions:
    53 3/4 x 78 inches
    136.5 x 198.1 cm
  • LIZ NIELSEN
    Dusk Stone Arch, 2024
    Analog Chromogenic Light Painting, on Fujiflex, Unique
    Framed dimensions:
    53 3/4 x 71 1/2 inches
    136.5 x 181.6 cm
  • Dusk Stone Arch (detail), 2024
  • LIZ NIELSEN
    Folded Architecture (Cloud), 2024
    Analog Chromogenic Light Painting, on Fujiflex, Unique
    Framed Dimensions:
    44 x 77 1/2 inches
    111.8 x 196.8 cm
  • "Liz Nielsen’s Folded Architecture series of photograms evokes built space through a medium that paradoxically requires no building. Here, interiority and exteriority blur, suggesting a perpetual folding of spatial dimensions that echoes Gilles Deleuze’s conception of the Baroque: a way of understanding existence as a fluid, interconnected process rather than a fixed essence."

    Liz Hirsch in "Folding Light: Liz Nielsen’s Spatial Dynamics"

  • LIZ NIELSEN
    Folded Architecture (Mysterious), 2024
    Analog Chromogenic Light Painting, on Fujiflex, Unique
    Framed dimensions:
    43 3/4 x 80 1/2 inches
    111.1 x 204.5 cm
  • LIZ NIELSEN
    Mountain of Consciousness, 2024
    Analog Chromogenic Light Painting, on Fujiflex, Unique
    Framed dimensions:
    87 x 47 1/2 inches
    221 x 120.7 cm
  • "Looking closely, Nielsen’s prints sometimes reveal a subtle but crucial element: an atomized layer of 'visual snow' across the image. This speckled texture adds depth and dimension to a schema ostensibly defined by flatness."

    - Liz Hirsch in "Folding Light: Liz Nielsen’s Spatial Dynamics"

     

     
     
  • Mountain of Consciousness (detail), 2024
  • LIZ NIELSEN
    Landscape in the Sky, 2025
    Analog Chromogenic Light Painting, on Fujiflex, Unique
    Framed dimensions:
    53 1/2 x 78 inches
    135.9 x 198.1 cm
  • LIZ NIELSEN
    Moonlit Lake, 2025
    Analog Chromogenic Light Painting, on Fujiflex, Unique
    Framed dimensions:
    53 3/4 x 78 inches
    136.5 x 198.1 cm
  • "In this work, Nielsen achieves a different kind of folding, one that collapses the distinction between figure and ground, surface and depth. The geometric forms - triangle, rectangle, circle - become abstract signifiers of landscape elements, their relationships shifting and folding into one another."

    - Liz Hirsch in "Folding Light: Liz Nielsen’s Spatial Dynamics"

  • Liz Nielsen in her studio, Hudson Valley, NY, 2024.
  • LIZ NIELSEN (b. 1975 in Ashland, WI) received her Master of Fine Arts from the University of Illinois Chicago, Chicago,...
    Liz Nielsen in her studio, Hudson Valley, NY, 2024.

    LIZ NIELSEN (b. 1975 in Ashland, WI) received her Master of Fine Arts from the University of Illinois Chicago, Chicago, IL; her Bachelor of Fine Arts from the School of the Art Institute of Chicago, Chicago, IL; and her Bachelor of Arts from Seattle University, Seattle, WA.

     

    Recent solo exhibitions include “Made in the Dark,” Hexton Gallery, Aspen, CO; “She LOVES me...,” SOCO Gallery, Charlotte, NC; “Romanticist,” Danziger Gallery, Los Angeles, CA; “Edge of Forever,” Miles McEnery Gallery, New York, NY; “Apparitions,” Black Box Projects, London, United Kingdom; “Electric Romance,” 12.26 Gallery, Dallas, TX; “Rolling Aura,” David B. Smith Gallery, Denver, CO; “Liz Nielsen: Forcefield” (presented by Strongroom), The Dutch Reformed Church, Newburgh, NY; “I’d Like to Imagine You’re in a Place Like This,” Over the Influence, Los Angeles, CA; and “Spooky Action,” Art Austerlitz, Austerlitz, NY.

     

    Recent group exhibitions include “Camera-less,” Flinn Gallery, Greenwich, CT; “Friends and Lovers,” Main Projects, Richmond, VA; “Clairvoyance,” SHRINE, New York, NY; “Sense of Place,” Chautauqua Visual Arts, Chautauqua, NY; “Liz Nielsen & Dávid Biró: Jet Lag,” Horizont Gallery, Budapest, Hungary; “Midi de l’Art: The Borders,” Galerie MOB-ART Studio, Luxembourg City, Luxembourg;“300 Days of Sun,” Hexton Gallery,Aspen, CO;“Why I Make Art” (curated by Brian Alfred), Miles McEnery Gallery, New York, NY; “Who Really Cares?” (curated by Helen Toomer), Samuel Dorsky Museum of Art, New Paltz, NY; “Time Lapse,” Fridman Gallery, Beacon, NY; and “Signs of Spring,” Black Box Projects, London, United Kingdom.

     

    She is the recipient of numerous awards, including the National Endowment for the Arts (NEA) Grant, Washington, D.C.; New York State Council on the Arts (NYSCA) Grant, New York, NY; Residency, McColl Center for Arts + Innovation, Charlotte, NC; Finalist, Meijburg Art Prize, Unseen Amsterdam, Amsterdam, The Netherlands; Residency, Budapest Art Factory, Budapest, Hungary; Orange County Arts Council Relocation Grant, Newburgh, NY; and the Chicago Academic Achievement Program Grant, Chicago, IL.

     

    Nielsen lives and works in the Hudson Valley, NY.