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HANS HOFMANN

Current viewing_room
2 APRIL - 9 MAY 2026
  • 'He was arguably the most influential art teacher in America of the twentieth century, responsible for laying down the pedagogical...
    Hans Hofmann in his studio, 1961.
    © Fred W. McDarrah/Premium Archive via Getty Images
    "He was arguably the most influential art teacher in America of the twentieth century, responsible for laying down the pedagogical foundations that produced so many innovative and successful abstract expressionists. Hofmann’s passion for teaching has, paradoxically, both burdened and energized the critical response to his artistic practice. The time that he spent among his students in New York and Provincetown, Massachusetts, from 1934 to 1957, robbed him of time for his work, but it simultaneously provided a laboratory for him to become, in the critic Clement Greenberg’s words, 'a virtuoso of invention.' His prominence as a teacher also served to elevate his importance as an artist. 

     

    Sixty years have elapsed since Hofmann’s death in 1966, but his art remains captivating and relevant. And it speaks even more powerfully today: A new generation is free to focus solely on Hofmann, the artist—and can surrender to the intoxication of his expressive color." 

    - Michèle Wije in "Hans Hofmann"

    • HANS HOFMANN Submerged, 1940 Oil on panel 7 3/4 x 9 3/4 inches 19.7 x 24.8 cm
      HANS HOFMANN
      Submerged, 1940
      Oil on panel
      7 3/4 x 9 3/4 inches
      19.7 x 24.8 cm
    • HANS HOFMANN Verde Chiaro (Light Green), 1949 Oil on board 15 x 22 inches 38.1 x 55.9 cm
      HANS HOFMANN
      Verde Chiaro (Light Green), 1949
      Oil on board
      15 x 22 inches
      38.1 x 55.9 cm
    • HANS HOFMANN Night, 1952 Oil on panel 8 x 9 1/2 inches 20.3 x 24.1 cm
      HANS HOFMANN
      Night, 1952
      Oil on panel
      8 x 9 1/2 inches
      20.3 x 24.1 cm
    • HANS HOFMANN Shimmering Red, 1952 Oil on panel 7 1/2 x 9 3/4 inches 19.1 x 24.8 cm
      HANS HOFMANN
      Shimmering Red, 1952
      Oil on panel
      7 1/2 x 9 3/4 inches
      19.1 x 24.8 cm
    • HANS HOFMANN The Bay, 1952 Oil on board 9 x 17 3/4 inches 22.9 x 45.1 cm
      HANS HOFMANN
      The Bay, 1952
      Oil on board
      9 x 17 3/4 inches
      22.9 x 45.1 cm
    • HANS HOFMANN [Untitled], c. 1960-1965 Oil on board 23 1/4 x 18 1/4 inches 59.1 x 46.4 cm
      HANS HOFMANN
      [Untitled], c. 1960-1965
      Oil on board
      23 1/4 x 18 1/4 inches
      59.1 x 46.4 cm
  • Blissful Darkness (detail), 1959.
  • HANS HOFMANN
    Blissful Darkness, 1959
    Oil on canvas
    48 x 36 inches
    121.9 x 91.4 cm
  • "Black presented challenges similar to those Hofmann cautioned about with white, especially if it was mixed with other colors. . . It is interesting, then, that within a year of closing his art schools in Manhattan and Provincetown to devote himself to his practice, the artist made an assertive painting, Blissful Darkness (1959), with black as its dominant color. In this large, dramatic work, black is a structural force that occupies the center of the composition, but it still allows for yellows and greens and, yes, white, to appear spatially active. Although it is more experimental than the architectonic 'slab' paintings for which Hans Hofmann is best known—works that exemplify his push/pull theory and that he exhibited at the Venice Biennale in 1960—it is nonetheless closely related to them. . . Blissful Darkness shows the palpable tension between problem-solving and self-expression. In this painting, Hofmann operates in the interstices between the two."

    - Michèle Wije in "Hans Hofmann"

    • HANS HOFMANN Blue Mountains, 1960 Oil on panel 10 x 8 inches 25.4 x 20.3 cm
      HANS HOFMANN
      Blue Mountains, 1960
      Oil on panel
      10 x 8 inches
      25.4 x 20.3 cm
    • HANS HOFMANN Dead Crow, 1960 Oil on Upson board 24 x 32 inches 61 x 81.3 cm
      HANS HOFMANN
      Dead Crow, 1960
      Oil on Upson board
      24 x 32 inches
      61 x 81.3 cm
    • HANS HOFMANN Fall, 1960 Oil on cardboard 11 x 9 inches 27.9 x 22.9
      HANS HOFMANN
      Fall, 1960
      Oil on cardboard
      11 x 9 inches
      27.9 x 22.9
    • HANS HOFMANN Stormy Blue, 1960 Oil on board 14 x 11 inches 35.6 x 27.9 cm
      HANS HOFMANN
      Stormy Blue, 1960
      Oil on board
      14 x 11 inches
      35.6 x 27.9 cm
    • HANS HOFMANN [Untitled], c. 1960-1965 Oil on panel 4 7/8 x 16 3/4 inches 12.4 x 42.5 cm
      HANS HOFMANN
      [Untitled], c. 1960-1965
      Oil on panel
      4 7/8 x 16 3/4 inches
      12.4 x 42.5 cm
    • HANS HOFMANN [Untitled], c. 1960-1965 Oil on paperboard 6 x 40 inches 15.2 x 101.6 cm
      HANS HOFMANN
      [Untitled], c. 1960-1965
      Oil on paperboard
      6 x 40 inches
      15.2 x 101.6 cm
  • Hans Hofmann teaching in class. Courtesy of Provincetown Art Association & Museum,
    Provincetown, MA, photo by Tom Milius.
  • HANS HOFMANN
    Floating Mirage, 1961
    Oil on canvas
    78 x 84 inches
    198.1 x 213.4 cm
  • HANS HOFMANN
    Grief, 1961
    Oil on canvas
    72 x 60 inches
    182.9 x 152.4 cm
  • "Just as we think we have figured out who Hofmann was as a painter, he proves himself to be—as [Frank] Stella once noted in admiration—'a wise guy.' We are familiar with the painter who embraced texture and liberally applied colors (with a loaded brush or palette knife) that served to fulfil his dictum, 'In nature light creates color; in the picture, color creates light.' Then he pivots. He thins the paint. In doing so, he creates the most ethereal and featherlight compositions of his later years.

     

    In Grief (1961) and Pénombres du Soir (1961), Hofmann severely restricts his palette and stains the canvases with splashes of color and the lightest of brushstrokes to support a gestural painterliness in which the natural world yields to the immediacy of perception. The saturation of the browns that convey dusk in Pénombres du Soir or the reds in Grief, which are so different from his reds in Shimmering Red (1952), invite deep reflection and solace. These paintings, alongside Floating Mirage (1962), are eloquent examples of pure painting; the work itself, rather than fulfilling an illustrative function, becomes an object of  contemplation and aesthetic enjoyment. We do not just see these paintings; we experience them."

    - Michèle Wije in "Hans Hofmann"

  • HANS HOFMANN
    Pénombres du Soir, 1961
    Oil on canvas
    48 x 60 inches
    121.9 x 152.4 cm
    • HANS HOFMANN [Untitled], c. 1960-1965 Oil on panel 13 3/4 x 6 inches 34.9 x 15.2 cm
      HANS HOFMANN
      [Untitled], c. 1960-1965
      Oil on panel
      13 3/4 x 6 inches
      34.9 x 15.2 cm
    • HANS HOFMANN [Untitled], 1961 Oil on Upson board 32 3/8 x 9 5/8 inches 82.2 x 24.5 cm
      HANS HOFMANN
      [Untitled], 1961
      Oil on Upson board
      32 3/8 x 9 5/8 inches
      82.2 x 24.5 cm
  • Mirage (detail), 1962.
  • HANS HOFMANN
    Mirage, 1962
    Oil on canvas
    60 x 52 inches
    152.4 x 132.1 cm
  • HANS HOFMANN
    The Prophet, 1962
    Oil on canvas
    60 x 52 inches
    152.4 x 132.1 cm
    • HANS HOFMANN [Untitled], c. 1960-1965 Oil on board 8 3/4 x 24 1/2 inches 22.2 x 62.2 cm
      HANS HOFMANN
      [Untitled], c. 1960-1965
      Oil on board
      8 3/4 x 24 1/2 inches
      22.2 x 62.2 cm
    • HANS HOFMANN [Untitled], 1962 Oil on panel 5 3/4 x 23 3/4 inches 14.6 x 60.3 cm
      HANS HOFMANN
      [Untitled], 1962
      Oil on panel
      5 3/4 x 23 3/4 inches
      14.6 x 60.3 cm
    • HANS HOFMANN [Untitled], c. 1960-1965 Oil on cardboard 9 5/8 x 8 1/8 inches 24.4 x 20.5 cm
      HANS HOFMANN
      [Untitled], c. 1960-1965
      Oil on cardboard
      9 5/8 x 8 1/8 inches
      24.4 x 20.5 cm
    • HANS HOFMANN [Untitled], 1963 Oil on cardboard 10 1/2 x 8 inches 26.7 x 20.5 cm
      HANS HOFMANN
      [Untitled], 1963
      Oil on cardboard
      10 1/2 x 8 inches
      26.7 x 20.5 cm
  • 'Hofmann made this lively painting, which he dedicated to his muse, Renate (who later became his second wife), during a...
    HANS HOFMANN
    [Untitled], 1964
    Oil on Upson board
    31 3/4 x 23 7/8 inches
    80.6 x 60.5 cm
    "Hofmann made this lively painting, which he dedicated to his muse, Renate (who later became his second wife), during a productive period of unrestrained innovation that also marked a frenzied immersion in his work following the death in 1963 of his beloved first wife, Miz. [Untitled] (1964) is a terrific example of the artist’s comprehension of color relationships. Thickly applied blue and red paint anchor the composition and give it a voluminous weight. Hofmann also mixes in yellows and greens to push against the blue. The decision to leave some of the Upson board exposed heightens the effect by allowing the eye to focus on clusters of kaleidoscopic energy. . . Hofmann’s paintings never disappoint. He was both a painter of magnificence and a magnificent painter."

    - Michèle Wije in "Hans Hofmann"

  • [Untitled](detail), 1964.
  • HANS HOFMANN(b. 1880, Weissenburg, Bavaria, Germany) began his arts education in Munich, later moving to Paris in 1904. During his...
    Hans Hofmann in 1950.

    Photograph by Rudolph Burckhardt ©2023 Estate of Rudy Burckhardt
    / Artists Rights Society (ARS), New York.

    HANS HOFMANN(b. 1880, Weissenburg, Bavaria, Germany) began his arts education in Munich, later moving to Paris in 1904. During his time in Paris, Hofmann frequented the Café du Dome where he met the many artists, dealers, and intellectuals who gathered there. In 1914, Hofmann returned to Germany and, in 1915, opened his own art school in Munich, the Schule für Bildene Kunst. In 1930, Hofmann traveled to the United States to teach a summer session at the University of California, Berkeley. After returning to Munich for the winter, Hofmann returned to California to teach at the Chouinard School of Art in Los Angeles, and again at Berkeley, until 1932. Due to the growing hostility towards intellectuals in Germany, Hofmann made the decision to stay in America and relocate to New York in 1932. While in New York, he assumed a teaching position at The Arts Students League before opening the eponymous Hand Hofmann School of Fine Arts in 1933. In 1935, Hofmann’s School additionally began to hold summer classes in Provincetown, Massachusetts. Hofmann became well known not only as an important artist of the time but also as an admired teacher—Helen Frankenthaler, Allan Kaprow, Lee Krasner, Louise Nevelson, Joan Mitchell, and Wolf Kahn were amongst his students. 1944 was a significant year for Hofmann as he was featured in four group exhibitions and notably had his first solo exhibition in New York at Peggy Guggenheim’s renowned Art of This Century Gallery.

     

    During his lifetime, Hofmann’s work was exhibited at the California Palace of the Legion of Honor, San Francisco, CA (1931); the Isaac Delgado Museum of Art, New Orleans, LA (1941); The Art of This Century Gallery, New York, NY (1944); The Arts Club of Chicago, Chicago, IL (1944); Milwaukee Art Institute, Milwaukee, WI (1944); 67 Gallery, New York, NY (1944); Mortimer Grant Gallery, New York, NY (1944); The Whitney Museum of American Art, New York, NY (1945); Betty Parsons Gallery, New York, NY (1947); Dallas Museum of Fine Arts, Dallas, TX (1947); Kootz Gallery, New York, NY (1947); Addison Gallery of American Art, Andover, MA (1948); Galerie Maeght, Paris, France (1949); Gallery 200, Provincetown, MA (1949); Studio 35, New York, NY (1950); Baltimore Museum of Art, Baltimore, MD (1954); Bennington College, Bennington, VT (1955); Art Alliance, Philadelphia, PA (1956); Venice Biennale, XXIV Esposizione Biennale Internazionale d’Arte Venezia, Venice, Italy (1960); Fränkische Galerie am Marientor, Nuremberg, Germany (1962); The Museum of Modern Art, New York, NY (1963).

     

    His work is included in select collections including the Art Institute of Chicago, Chicago, IL; Aspen Art Museum, Aspen, CO; Auckland Art Gallery, Auckland, New Zealand; Baltimore Museum of Art, Baltimore, MD; Berkeley Art Museum, Berkeley, CA; Blanton Museum of Art, Austin, TX; Centre Georges Pompidou, Paris, France; Cincinnati Art Museum, Cincinnati, OH; Cleveland Museum of Art, Cleveland, OH; Fundación Juan March, Madrid, Spain; Germanisches Nationalmuseum, Nuremberg, Germany; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Hood Museum of Art, Hanover, NH; Kunsthaus Hamburg, Germany; Los Angeles County Museum of Art, Los Angeles, CA; The Metropolitan Museum of Art, New York, NY; Montreal Museum of Fine Arts, Montreal, Canada; Musée de Grenoble, Grenoble, France; Museum Ludwig, Cologne, Germany; Museum of Contemporary Art, Chicago, IL; Museum of Contemporary Art, Los Angeles, CA; Museum of Fine Arts, Boston, MA; Museum of Fine Arts, Houston, TX; The Museum of Modern Art, New York, NY; National Gallery of Art, Washington, D.C.; National Gallery of Australia, Canberra, Australia; Philadelphia Museum of Art, Philadelphia, PA; San Francisco Museum of Modern Art, San Francisco, CA; Solomon R. Guggenheim Museum, New York, NY; Städtische Galerie im Lenbachhaus, Munich, Germany; Tate Collection, London, United Kingdom; Walker Art Center, Minneapolis, MN; Whitney Museum of American Art, New York, NY and the Yale University Art Gallery, New Haven, CT.

     

    Hofmann died at age 88 on 17 February, 1966 in New York, NY.

    • HANS HOFMANN Submerged, 1940 Oil on panel 7 3/4 x 9 3/4 inches 19.7 x 24.8 cm
      HANS HOFMANN
      Submerged, 1940
      Oil on panel
      7 3/4 x 9 3/4 inches
      19.7 x 24.8 cm
    • HANS HOFMANN Verde Chiaro (Light Green), 1949 Oil on board 15 x 22 inches 38.1 x 55.9 cm
      HANS HOFMANN
      Verde Chiaro (Light Green), 1949
      Oil on board
      15 x 22 inches
      38.1 x 55.9 cm
    • HANS HOFMANN Night, 1952 Oil on panel 8 x 9 1/2 inches 20.3 x 24.1 cm
      HANS HOFMANN
      Night, 1952
      Oil on panel
      8 x 9 1/2 inches
      20.3 x 24.1 cm
    • HANS HOFMANN Shimmering Red, 1952 Oil on panel 7 1/2 x 9 3/4 inches 19.1 x 24.8 cm
      HANS HOFMANN
      Shimmering Red, 1952
      Oil on panel
      7 1/2 x 9 3/4 inches
      19.1 x 24.8 cm
    • HANS HOFMANN The Bay, 1952 Oil on board 9 x 17 3/4 inches 22.9 x 45.1 cm
      HANS HOFMANN
      The Bay, 1952
      Oil on board
      9 x 17 3/4 inches
      22.9 x 45.1 cm
    • HANS HOFMANN [Untitled], c. 1960-1965 Oil on board 23 1/4 x 18 1/4 inches 59.1 x 46.4 cm
      HANS HOFMANN
      [Untitled], c. 1960-1965
      Oil on board
      23 1/4 x 18 1/4 inches
      59.1 x 46.4 cm
    • HANS HOFMANN Blissful Darkness, 1959 Oil on canvas 48 x 36 inches 121.9 x 91.4 cm
      HANS HOFMANN
      Blissful Darkness, 1959
      Oil on canvas
      48 x 36 inches
      121.9 x 91.4 cm
    • HANS HOFMANN Blue Mountains, 1960 Oil on panel 10 x 8 inches 25.4 x 20.3 cm
      HANS HOFMANN
      Blue Mountains, 1960
      Oil on panel
      10 x 8 inches
      25.4 x 20.3 cm
    • HANS HOFMANN Dead Crow, 1960 Oil on Upson board 24 x 32 inches 61 x 81.3 cm
      HANS HOFMANN
      Dead Crow, 1960
      Oil on Upson board
      24 x 32 inches
      61 x 81.3 cm
    • HANS HOFMANN Fall, 1960 Oil on cardboard 11 x 9 inches 27.9 x 22.9
      HANS HOFMANN
      Fall, 1960
      Oil on cardboard
      11 x 9 inches
      27.9 x 22.9
    • HANS HOFMANN Stormy Blue, 1960 Oil on board 14 x 11 inches 35.6 x 27.9 cm
      HANS HOFMANN
      Stormy Blue, 1960
      Oil on board
      14 x 11 inches
      35.6 x 27.9 cm
    • HANS HOFMANN [Untitled], c. 1960-1965 Oil on panel 4 7/8 x 16 3/4 inches 12.4 x 42.5 cm
      HANS HOFMANN
      [Untitled], c. 1960-1965
      Oil on panel
      4 7/8 x 16 3/4 inches
      12.4 x 42.5 cm
    • HANS HOFMANN [Untitled], c. 1960-1965 Oil on paperboard 6 x 40 inches 15.2 x 101.6 cm
      HANS HOFMANN
      [Untitled], c. 1960-1965
      Oil on paperboard
      6 x 40 inches
      15.2 x 101.6 cm
    • HANS HOFMANN Floating Mirage, 1961 Oil on canvas 78 x 84 inches 198.1 x 213.4 cm
      HANS HOFMANN
      Floating Mirage, 1961
      Oil on canvas
      78 x 84 inches
      198.1 x 213.4 cm
    • HANS HOFMANN Grief, 1961 Oil on canvas 72 x 60 inches 182.9 x 152.4 cm
      HANS HOFMANN
      Grief, 1961
      Oil on canvas
      72 x 60 inches
      182.9 x 152.4 cm
    • HANS HOFMANN PĂ©nombres du Soir, 1961 Oil on canvas 48 x 60 inches 121.9 x 152.4 cm
      HANS HOFMANN
      Pénombres du Soir, 1961
      Oil on canvas
      48 x 60 inches
      121.9 x 152.4 cm
    • HANS HOFMANN [Untitled], c. 1960-1965 Oil on panel 13 3/4 x 6 inches 34.9 x 15.2 cm
      HANS HOFMANN
      [Untitled], c. 1960-1965
      Oil on panel
      13 3/4 x 6 inches
      34.9 x 15.2 cm
    • HANS HOFMANN [Untitled], 1961 Oil on Upson board 32 3/8 x 9 5/8 inches 82.2 x 24.5 cm
      HANS HOFMANN
      [Untitled], 1961
      Oil on Upson board
      32 3/8 x 9 5/8 inches
      82.2 x 24.5 cm
    • HANS HOFMANN Mirage, 1962 Oil on canvas 60 x 52 inches 152.4 x 132.1 cm
      HANS HOFMANN
      Mirage, 1962
      Oil on canvas
      60 x 52 inches
      152.4 x 132.1 cm
    • HANS HOFMANN The Prophet, 1962 Oil on canvas 60 x 52 inches 152.4 x 132.1 cm
      HANS HOFMANN
      The Prophet, 1962
      Oil on canvas
      60 x 52 inches
      152.4 x 132.1 cm
    • HANS HOFMANN [Untitled], c. 1960-1965 Oil on board 8 3/4 x 24 1/2 inches 22.2 x 62.2 cm
      HANS HOFMANN
      [Untitled], c. 1960-1965
      Oil on board
      8 3/4 x 24 1/2 inches
      22.2 x 62.2 cm
    • HANS HOFMANN [Untitled], 1962 Oil on panel 5 3/4 x 23 3/4 inches 14.6 x 60.3 cm
      HANS HOFMANN
      [Untitled], 1962
      Oil on panel
      5 3/4 x 23 3/4 inches
      14.6 x 60.3 cm
    • HANS HOFMANN [Untitled], c. 1960-1965 Oil on cardboard 9 5/8 x 8 1/8 inches 24.4 x 20.5 cm
      HANS HOFMANN
      [Untitled], c. 1960-1965
      Oil on cardboard
      9 5/8 x 8 1/8 inches
      24.4 x 20.5 cm
    • HANS HOFMANN [Untitled], 1963 Oil on cardboard 10 1/2 x 8 inches 26.7 x 20.5 cm
      HANS HOFMANN
      [Untitled], 1963
      Oil on cardboard
      10 1/2 x 8 inches
      26.7 x 20.5 cm
    • HANS HOFMANN [Untitled], 1964 Oil on Upson board 31 3/4 x 23 7/8 inches 80.6 x 60.5 cm
      HANS HOFMANN
      [Untitled], 1964
      Oil on Upson board
      31 3/4 x 23 7/8 inches
      80.6 x 60.5 cm
  • Artwork Images, with permission of the Renate, Hans & Maria Hofmann Trust / Artists Rights Society (ARS), New York, NY. 
     
    Special thanks to Patricia A. Gallagher, John J. Powers, Mary Ducran, Stacey Gerhson and Tom Behrens of
    the Renate, Hans and Maria Hofmann Trust. 
     
    The Renate, Hans and Maria Trust is exclusively repressentated by Miles McEnery Gallery.
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